Monologue
I love monologues. All the truly moving scenes I’ve seen in television and film have involved beautiful and powerful monologues; a character has dealt with the problem for so long that the internal containment fails and everything just comes out. In those few moments you feel the pain and the joy of the character more than you thought possible. You can go through a whole movie without sympathizing with a character but at that crucial moment, the truth of the words is too beautiful to ignore.
The only problem with monologues is they need a response. These aren’t soliloquies, said to oneself to illuminate the audience, they are there to let the oblivious subject become aware of what the audience has known all along. Monologues need a result. There needs to be acceptance or rejection, cheers or jeers. There needs to be a musical swell as the maligned lovers jump into each others eyes, or the look of shame on the antagonist’s eyes as the realisation of his wrongdoing comes upon him. An utterly ignored monologue is one of the most awkward events one can experience.
I’ve tried to ignore the silence of your protestations. Every word echoes through my brain and close reading begins to look like a cursory glance as the faults in my phrasing fragment my mind like a supernova of insecurity. What did I say that was so wrong? How could my words leave no mark on you. When was it that you decided that I didn’t matter?
To say the silence hurts is an absurd understatement. My trial of silence is like Kafka’s in its unrelenting unreasonableness. Each non-word cuts into my flesh, and rips the muscles from my bones. My knees weaken out of fear of the ongoing silence, and I know that I can’t let this be. I need you to know this now and every second I wait feels like another second of waiting for your response. I’m not waiting any longer.