The Return of the Squee
A few weeks ago, Entourage returned and True Blood premiered. I’ve enjoyed the former for a few years now so I was glad it was back, and I was waiting with a fair amount of anticipation for the latter, which I’ve enjoyed so far. But it’s fair to say that neither of these, nor any of the other shows that have premiered this year, has been as highly anticipated as what came back tonight: The Office came back tonight; it was back, it was backer, it was back with a vengeance. (Slight spoilers ahead)
There are few shows that excite me as much as The Office and with good reason. Not only is the show that perfect combination of dry hidden humour and outright slapstick, but it has one of the most compelling and engrossing romantic stories to ever grace television. Squee is usually meant to refer to the excited squeal that fangirls make, but I squee. The genius of this show is that the romance between Pam and Jim, ranging from a simmer to a full boil over the last four years, has never been the butt of the joke.
On any other sitcom, the people the writer’s want you to cheer for have stupid and unrealistic situations thrown at them with Hilarious Consequences and the pratfalls that ensue when one of them tries to hide their feelings are usually the heart of the show for many years. Ross and Rachel started off as a series of jokes and it wasn’t until they were together that the show developed any serious attachment to the relationship as a relationship and not as the source of humourous situations. Similarly, with Monica and Chandler the relationship began as a drunken one night stand and subsequent series of sexual escapades leading to an ultimately fulfilling relationship.
Never has a comedy dealt with unrequited love so earnestly. And from the beginning, the humour comes from elsewhere. The humour is the way they react to the mad world we share with them. The humour is the absurdities of the workplace that we all experience, whether we’re software developers or paper salesmen. The humour is never that Pam is engaged to a lazy man who doesn’t appreciate or understand the woman he’s managed to ensnare. What is the core of most sitcoms, an overweight man with a smart and beautiful woman, is handled with the gravity of the real world. And the show doesn’t suffer for it but rather it succeeds because it never laughs at the people in it. (I’m sure some of you think that the show laughs at Michael Scott but I don’t think you watch the show carefully enough.)
This show might not be the funniest show out there, though this premiere was the funniest thing I’ve seen in a long time, but it is one of the best shows right now. It’s better than funnier shows because the laughs come puncuated by a story that many have experienced before and the rest wish they had. It’s better than more dramatic shows because it doesn’t have to rely on introducing drama to its world, forsaking the characters for the sake of the show.
I guess what I’m trying to get at here is that I really liked the premiere. Every note hit perfectly.
Holly’s geekiness and her hidden yet patently obvious affection towards Michael is opening up Michael as a person. Somehow, this episode made what would normally be a cringe inducing scene, when Michael encourages the whole office to judge Kelly by her physical appearance, into a slightly charming almost effective comment on eating healthy and accepting people’s appearances. And Jim’s advice during the finale of last year seems to have paid off because Michael is steadfast in the friend zone with Holly. Maybe it’ll take him five years and an engagement for him to tell her how he feels too.
Angela’s ongoing illicit yet amazingly drab affair with Dwight was hilarious, but the show was smart enough to show Angela regretting it and devoting herself Andy… at least until Andy decided that not having his college (he went to Cornell don’t you know) acapella groupas the wedding band was a “deal breaker.”
The second biggest surprise was Ryan returning to the Office. I half expected him to be in Jail for at least a portion of the season, but it appears some community service and a stern firing of was enough to set him straight. So now he’s back working reception, and quietly plotting revenge against pretty much everybody.
Being now spoiler free, I had no idea what was going to happen this year — though The Office is pretty good at keeping its secrets; last year I went into the premiere knowing remarkably little given how much I knew about Lost, a show known for its secrecy regarding future stories — so all of these moment were delightful and funny and all around awesome. But none of them could have prepared me for that final scene. Toby’s back! I’m kidding obviously. As much as I love Toby and am sure he’ll make it back to the Office at some point, the scene that made my day, night, week, and month was that penultimate scene in the rain. It was simple and powerful and managed to avoid all of the cliches by playing it as realistically as every other moment in that relationship. Oh and it made me squee. I’d missed that.