Early Thoughts on Flashforward

flashforward

Flashforward got a lot of hype as the next Lost — a laughable prospect to anyone aware of how brilliant Lost is — and while it certainly was one of the more promising pilots of the last few years, it is with equal certainty not the next Lost.

The one advantage it has over Lost is that it wears its science fiction on its sleeve; unlike Lost, which cloaked its science fiction with mystery, intrigue, and vague fantasy, Flashforward is from the outset delving into the implications of time travel and discussions of free will vs predestination. Unfortunately, that’s also Flashforward’s greatest weakness.

The first two acts which detail the initial cataclysm — in case you were wondering what the fuck Flashforward is, the essential premise is that for 137 seconds everyone in the world blacked out and during that time they all saw a vision of their future, specifically April 29, 2010 10PM — are great stuff. The carnage of the aftermath is visceral and jarring with lots of great short shots of people suffering through the fog of war slowly lifting over them allowing a clearer picture to form.

But once that fog lifts the show devolved into a series of conversations pondering the implications of what they’ve experienced. Because of this, there’s not nearly enough time devoted to giving the characters some much needed depth. Joseph Fiennes’ Mark Benford is given some level of history, and somewhat necessarily his wife as well though not with the same depth. I find Benford’s AA sponsor one of the more fulfilling of the characters right now so I take that as a sign that the show knows how to develop characters well, it just opted to utilize the pilot to explore directly some of the headier concepts the show’s dealing with. Not the choice I’d make but it doesn’t ruin the show, unless it becomes a running pattern.

Though the geek in me appreciated the explicit geeky discussions of free will vs predestination, I’ve come to appreciate the character driven exploration of these sorts of ideas that Lost does so well, and so the lack of character development bothered me. Of course, the show managed to make me almost forget about my issues with the show’s characters by ending off on the excellent cliffhanger with the lone person walking amongst the blacked out masses during those fateful 137 seconds. All told, I’m excited for more, though I’m also hoping for more from the show as it finds its way.

Paris, je t’aime

I kind of love Paris Hilton. I’m not ga-ga over her, and she’d never supplant Jenna Fischer or Natalie Portman on my celebrity crush list, but I appreciate her honesty, her simplicity, her… idiocy.

Recently, she threw down the cash to head up to space in Richard Branson’s new commercial space-faring venture Virgin Galactic. When asked about it she said:

I’m very scared to do it. What if I don’t come back? With the whole light years thing, what if I come back 10,000 years later, and everyone I know is dead? I’ll be like, ‘Great. Now I have to start all over.’

That’s just so cute I can’t even criticise it. It’s just so endearingly ignorant. Obviously, it’s not right; the time dilation from the minute amount of time she’ll spend in space is negligible. Even Russian cosmonauts who’ve spent years in space “time traveled” no more than seconds. But even still, she says it — or is represented in the media as saying it — with such sincerity that you want to just kiss her on the forehead and tousle her hair a bit.

And then there’s the infamous sex tape. Yes, I’ve seen the sex tape. It’s not the best amateur porn I’ve ever seen, but it has its charms. Specifically, and this may get slightly graphic, near the end she’s giving him a blowjob and says she wants the cum on her face. The reason? “Because you’re my boyfriend.”

I know that that’s a fairly crass moment in which to find innocence and appreciation, but that’s what it does for me. Over the years, Paris Hilton has been trashed for so many reasons, and yet I’ve never really got it. Is she famous for no reason at all? Absolutely. Luckily, I don’t care about fame. And when you take that inherent aggravation out of the equation, she’s really quite endearing. Seriously.